Caldera in cooperation with Zünd announced the launch of its new PrimeCenter software; a prepress automation solution designed to help wide format digital printers to save time as they prepare jobs for printing.
Jobs are submitted to the prepress station, either manually from a WebShop or from an ERP. Then PrimeCenter generates nested layouts based on ”recipes” created by the operator.
The new software comes in three distinct editions:
PrimeCenter Basic requires users to manually apply a combination of actions such as preflight, nesting and bleeding in what we call recipes.
PrimeCenter Pro the application of recipes is semi-automated via the automatic import of incoming files. Layouts are automatically generated, though not instantly exported to the controller or the RIP.
PrimeCenter Max, additionally automatically exports the layouts from the incoming files to the controller or the RIP.
dgen recently announced the release of one of its latest Teleios Series textile printer. The Teleios Grande H12; which features six colours, 12 heads, higher resolution and higher speed.
The Teleios Grande H12 prints without coating on 3300mm wide fabrics and completes printing without steam. The textile pigment ink, which is printed directly on uncoated cotton/poly/blend fabric, prevents head clogging even when not used for a long time.
Home décor trends have been evolving and changing over the years and they have led and shaped the way our spaces are being designed and decorated these days. These trend changes are notable through the decades and some of these are still being used but maybe with a twist or a renovated style, keeping the essence of the vintage vibe.
Home décor is a great way for people to express themselves and to show their personalities through their walls, furniture and any other decorative piece. What we definitely can see through times is that people are more daring now when it comes to designing and creating a space.
Here are some design practices since 1960 and back to these days to compare how time had past.
1960s
Heavily influenced by the pop art movement from the 50s and pop artists as Andy Warhol and Jasper Johns, there were bright colors, mix different materials, bold patterns, interesting shapes and clean lines for furniture, usually darkened wood. Wallpaper were absolutely present on this time. The excess of combining florals or geometric patterns was a thing and it went out of style with the time, but it definitely has a comeback now.
1970s
First, who remembers the typical bold patterned linoleum floor? My grandma still has hers at the home and it’s so funny that these trends, that I never liked before, are actually coming back and it looks GOOD!
Bean bag chairs were all over the stores and everyone had one or wanted one. Wood paneling and bold paint colors, crocheted blankets (usually with squared patterns), lava lamps, huge boxed TVs and radios or record players, floral couches. All of these were a thing back in the 70s.
1980s
Using lively colors were still there, and some striking statement pieces from the 70s, continued into the 80s. Pastel colors went on trend. Window and shower curtains were light blue or baby pink everywhere. Some couches were still floral, but the patterns were not as bright and neon as 70s and 60s.
1990s
In the 90s, after years and years, people started to relax with the extravagant colored walls and wallpapers… Also, furniture was on a more neutral color scheme, mostly beiges and woods were there, but most wood colors were seen. Huge recliner couches were the sensation on every living or family room.
2000s
Starting a new century led people to want a more modern home. This decade we saw brighter and bolder designs, as well as more clean designs. People started to buy futuristic pieces for their homes. Lightning started to be a focus point. Furniture had cleaner and more neutral and plain colors. Some walls started to be re painted with bold colors as accent walls, but most people left them white, because of the freshness and calm the whites spread.
2010s
I would describe this decade as clean, fresh, calm, and some greenery. Light colors everywhere, on walls, furniture, pillows, curtains, etc. Some touches of colors and patterns as focus points, but whites were a huge thing on early 2010s. Ending the decade, we could saw wallpapers and bold wall colors are strongly coming back.
2020s
This era is really exciting because people is innovating, creating, developing their imagination to create really cool interior design. We can see that lightning plays a huge role, accent walls with wallpaper or bold paint is really on trend right now. Playing with different materials, patterns and lights are totally in right now. So let’s see what else is this decade made of for interior design.
Avery Dennison Graphics Solutions announced the introduction of its Spring 2020 Rugged and Luxurious color collection, which includes six new color and texture options.
Rugged Supreme Wrapping Film is a 3D conformable, textured color changing film, available in four colors: Rugged Onyx, Rugged Combat Green, Rugged Bedrock Grey and Rugged Marsh Green. It gives vehicles the look and feel of a bed liner without the permanent application.
Luxurious Supreme Wrapping Film features the new Obsidian Black, the company’s deepest, blackest pigment, and Satin Dark Grey.
“The new color collection was created with the experiential demands of the wrap designer in mind—a visual excitement that comes from the juxtaposition of film color and effect—evoking a statement of style and point of view that comes from a combination of satin, gloss and textured pigments. There’s a tone, texture and style to match any attitude,” Abby Monnot, Avery Dennison Graphics Solutions North America, marketing director.
For a long time wallpaper has been used to decorate residential or commercial spaces; some times to protect the wall surfaces from accidental marks, scratches or just to hide the flaws in the wall that are impossible to hide with just paint.
Wall coverings originally were made of cloth, but with the development of the paper industry, cloth wall coverings were replaced by wallpaper, which was less expensive.
In recent years, the demand for more creative designs and more modern but ecofriendly materials that meet daily needs has increased. The easy access to new substrates as well as to new printing systems helps satisfy this demand and still allows new applications through the use of digital printing technology.
As more people work from home, the lifestyle has changed a lot in order to find a balance between work and social life. The traditional standards of decoration and distribution of both residential and commercial spaces have had to converge in order to interact in a balanced way.
Modern digital inkjet printing technologies using different types of inkjet inks are used for custom wallpaper production. Very small runs can be made; new designs can be produced and tested easily and quickly for individual clients.
Thanks to social media, a new generation with the do-it-yourself trend is discovering wallpaper; identifying it as a way to easily personalize spaces in a short time and without any difficulty. These new wallpapers are easy to install, waterproof, tear resistant and made of breathable materials that prevent molding on walls.
Since 2018, the global Wall Covering market has maintained a healthy growth rate of more than 3.8% yearly and expected to reach approximately $27 billions value market by 2026.
“According to Google data, wallpaper-related searches are up an average of 50 percent the past 12 months versus the 12 months prior.”
But you always have to wait for the unexpected. At the beginning of the year when some market projections were made the unexpected factors were not taken into account.
The digitally printed wallpaper industry expected a huge growth thanks to the large-scale investments in urbanization & industrial sectors; but the global impacts of the coronavirus (COVID-19) are already starting to be felt and the Wall Covering market is not an exception.
The virus is affecting the global economy in different ways: affecting production and demand, creating supply chain and market disruption, and by its financial impact on firms and financial markets.
But there are many factors that, despite what is being experienced around the world, will help the development of the wallcovering market (although not at the expected speed).
The fact that we now work from home and spend more time in it, gives us the opportunity to perceive our spaces differently. We went from seeing a room as a simple study to seeing it as a potential space that will recall our past travels around the world or places that we wish to be.
With extra free time, the possibility of spending more time on social networks as well as DIY (Do It Yourself) sites have made us self-taught interior decorators, who are always looking for a space in the house that needs a new look.
These wallpapers are created by consumer requirements. Digitally printed wallpapers on easy-to-remove substrates also allow consumers to change their wallpapers easily by themselves without the need for previous experience, increasing its demand in the industry.
The rising demand for custom wallpapers has encouraged market vendors to adopt short-run digital wallpaper printing solutions, which offer shorter runs and faster delivery times at an affordable price.
The demand from the customers has been increasing the market, and the technological advancement of digital printing systems have been capable of serving the high requirement.
New latex inks allow us to decorate indoor environments even in hospitals without worrying about the toxic fumes. UV and UV-LED printers open us to new printing possibilities on almost on all types of materials (from PVC to wooden doors). Textile printers allow us to print complex designs on different types of fabric that we can combine even with the clothes we wear.
The popularity of custom wallpapers is growing thanks to the ability to provide the exact look and feel desired by consumers; companies are coming up with a diverse range of wallpapers that resemble the looks of a landscape of some distant forest, a fantastic ocean view, cracked brick wall, some textile designs, among others.
All of these benefits of digital wallpaper printing will significantly drive the digitally printed wallpaper market growth, turning wallpaper into a fundamental pillar in it in the world of design and décor.
LogoJET announces its newest Express 30R printer; a tabletop UV model built with the same technology as LogoJET’s UVx40R and UVx90R. The Express 30R is a direct-to-substrate printer that can print on wide variety of substrates, it has an 11” x 15” printable area, up to 2.5” height.
“In creating the Express 30R, we were able to design the system with the same industrial components, the same fit-for-purpose,” Lon Riley, LogoJET’s Chief Operating Officer. “This new printer allows customers to put a printer with full UV capabilities in places where larger machines would present challenges.”
DGI is a Korean digital printer manufacturer that has been in the industry for many years, even decades. While DGI is owned by the one of the members of the Choi family, it is a completely separate company from Dilli; which is owned by another brother. DGI is dedicated to manufacturing textile and solvent ink digital printers, while Dilli manufactures UV curing printers.
DGI is one of the largest and most well known digital textile printer companies in the market; and this year they have launched their newest textile printer model which is the Hercules. Just like many companies that have been affected by the coronavirus, DGI has launched this product digitally.
The Hercules textile printer is designed for printing onto transfer paper, it comes with four colors CMYK of dye sublimation ink. And has a roll-to-roll structure and a width of 1.9 meters.
This printer can be used for small production companies or when you want to do test runs, maybe some sampling or for small design firms or print shops.
The structure of the Hercules printer is similar to the former DGIFD 1904 and FD 1908; which are both transfer paper printers with a roll-to-roll structure. Also, their characteristics are similar, so this might be the model that will replace both of those printers in the future.
The Hercules printer comes with Epson 4720 printheads that can achieve a drop size as small as 2.5 pl.
Recently transfer paper printers have become more and more popular especially for sportswear, decor, and fashion. Customization and personalization of items are important to customers and naturally DGI has been adapting to the customer needs.
Here is a chart with all the specs for the Hercules printer
Printhead | Epson 4720 |
Ink | DGI Original Dye Sublimation Ink |
Media | Transfer paper |
Max Print Width | 1,90 m |
Max Media Load | 1,94 m |
Resolution (DPI) | Max. 720 x 1,800 DPI |
Rip Software | Ergosoft (Optional:Inedit) |
Color | 4 Color (Cyan, Magenta, Yellow, Black) |
We hope in the near future we will be able to see this printer in action and evaluate it.
Have you ever printed something where the quality just doesn’t fit your expectations? The printing industry is huge and competition get tougher and tougher with the time, so having the best quality would make you be a first choice to your customers. There are a few steps and simple rules to follow when creating a file to print on a T-shirt. Make sure you take notes, so you can get the most from your printed T-shirt.
Here are some points to keep in mind at the moment of creating and sending your file for print:
T-shirt printing can be a fun experience if you consider these previous points. And a proper use of T-shirt printing may get you great results if you’re planning to make it for your business, a cause or any other purpose.
Screen printing process it’s more complicated and laborious than digital printing. The entire process is made up of several steps that take so long that it would be a shame to delay or even ruin it due to poor preparation of the printing file.
There are probably a million variations on this process, and everyone does it a little differently. This time we will see it from the point of view of a digital printing graphic designer, who from time to time must do screen printing and the mistakes I have made (and boy I have made mistakes).
First thing first
First of all we must understand that the screen printng is divided into two categories: spot color or four color.
Spot color means that each color is separate prints only in that shade. So if you have a three-color design, you would need to create a film for each of those three colors and would be printed one at a time.
Four color process is used to replicate photographs, paintings and any other kind of art with a variety of colors in different shades and gradations. When using four-color process, the image must be separated into cyan, magenta, yellow and black (CMYK).
Vectors vs. Raster Image
Before starting the creative process you must be very clear about the use that will be given to your design; since this will depend on the choice of software that we will use to design our art.
Raster image
Raster graphics images are best used for digitized photographs, scanned artwork or detailed graphics.
When you create your design in a raster based software you are kind of married with the original dimensions.
Always remember to start your documents at the intended print size with a resolution of 300 pixels per inch. If you have drawn the artwork at actual size, then scan it at 300 dpi. If your artwork was created a 50% scale, then you will need to scan the artwork at double the recommended resolution (scan at 600 dpi).
Common raster formats include TIFF, JPEG, GIF, PCX and BMP files.
Vector
There is no limit for sizing vector images. Can be resized indefinitely without sacrificing print quality, blurriness or pixelation that occurs when resizing images created in photographic software.
Common vector formats include AI, EPS, SVG, and sometimes PDF.
Avoid web Images
Using images from the web can be convenient, but keep in mind that most of these images are very small and with low resolution (most of the time they are set to only 72 dpi)
Convert your text to outlines
Always remember to convert your font to outline on all your text, this allows to open the file without requiring the original font file or modify the design.
Choose your color
Using a specific Pantone for each color will help to properly match your design without any color variation.
Porosity of the substrate
The porosity and texture of the materials is something that must be keep in mind. For exapmle some fabric has holes that cannot be printed on, so you should keep your design details to a minimum.
Think on the background color
If you are going to printing on a dark color (or transparency), you will need to add white ink layer under the image to make sure the colors are visible.
ALWAYS save an editable copy
When you finally have finish your design, always be sure to keep an editable copy of your work, just in case you need to do some last minutes adjustments.
There are several mechanisms in which color changing of an ink can occur, in this article we cover specifically two, photochromic and thermochromic. The first meaning that a specific light type (wavelength) triggers the ink and changes its color, thermochromic means that color change will occur depending on the temperature it has been designed to activate.
Photochromic inks are invisible under artificial light and will appear visible once exposed to outdoor sunlight or UV / black light. These inks can be applied to papers and boards or to textiles. This type of inks and dyes change their molecular structure from a clear or white color and darken revealing its true color (on exposure to specific types of light of enough intensity, most commonly ultraviolet (UV) light sources, (UV light in the range of 300 to 360 nanometers).
Photochromic dyes are reversible, when placed into sunlight or a UV-Light source they become activated, in an “excited” state, and depending on the manufacturer it takes from 10 to 20 seconds to allow the photochromic compound to turn into a darker color. In the absence of activating light when the UV light source fades, the effect is reversed and they return to their clear state after 5 minutes or less.
Thermochromic ink or fabrics change color in response to temperature fluctuations, meaning heat will enable it to change color at its designated temperature, color change activation occur at temperatures from -10°C up to +70°C, they usually are reversible, changing either way as the ink warms or cools. There are two primary types of thermochromic coatings: liquid crystals and leuco dyes.
Liquid crystals dyes rely on liquid crystals contained in tiny capsules. The liquid crystals are cholesteric, this refers to the arrangement of molecules, which means that its molecules arrange themselves in a very specific helical structure. These structures reflect certain wavelengths of light. As the liquid crystals heat up, the orientation of the helices changes, which causes the helices to reflect a different wavelength of light. To our eyes, the result is a change in color. As the crystals cool down, they reorient themselves into their initial arrangements and the original color returns.
Leuco dye inks, are a darker color when cooler than their temperature activation point, and lighter in color or virtually clear when warmer than their activation point, temperature uses of these inks generally fall into three areas: cold, body temp and hot.
A black thermochromic ink with a higher activation temperature can be screen printed onto a coffee coaster, so that the thermochromic ink becomes clear when heated by a hot mug, revealing the message or branding also printed on the coaster.